Sunday, November 11, 2012

Book Recipe - Recipe Book

Some skill and/or assistance may be required.  This is a synopsis of what I teach in my bookmaking class.




Ingredients:

1 easy, short recipe

Photocopied images or eatable result of recipe (for object to draw)

Permanent, no-bleed, fine point pen (Sharpie or Micron).

Pencil (HB or 2B) and eraser

1 sheet of 140# hotpress watercolor paper.  Cut to 4.5" x 11.75".  One sheet is usually enough for multiple books.

Watercolor paints

Watercolor brushes

paper towels, plastic cup for water, and scissors

2 pieces mat board cut to 4.5" x 4"

1 piece craft paper (or paper grocery bag) cut to 9.5" x 9" (or alternate version - see drawing)

Sea sponge

Acrylic craft paint (2-3 colors)

Satin Ribbon

Decorative papers

Spray adhesive and craft glue

Directions:

1.  Using sea sponge with acrylic craft paints, sponge one color onto one side of the 9.5" x 9" craft paper.  Mottle the paint effect.  Sponge a different color on top of the first.  Add a third color if desired.  Put paper aside to dry.

2.  Create a mini still life with food created from recipe.

3.  Divide the 4.5" x 11.5" piece of watercolor paper into thirds with light pencil marks.  In general, the first third from the left can be for the illustration and the remaining two thirds can be for the recipe title and text.  However, you can be as creative as you like in the layout.

4.  With pencil sketch in a border, the food still life.

5.   Create guidelines in pencil for the recipe title and text.  Lightly in pencil, write in the title and recipe.  You may need to redo it a couple times to get it to fit.  Play with the lettering of the title text; add flourishes to or bolden your handwriting.

6.  Once you are satisfied with your light sketch and text layout go over it with the permanent pen.  Do not pen in the guidelines for the title and text.  Erase all pencil lines.

7. Paint in your illustration using the watercolors and watercolor brushes.  Let dry.

8.  Turn paper over.  In the middle third section, create a mini illustration first in pencil, then pen it in and erase pencil lines, then add watercolors.  Let dry.

9.  Return to the craft paper with the sponged paint, it should be dry by now.  Place on table, face down with 9" edges to top and bottom and 9.5" edges to side. (Image include alternate template with areas you can cut out if desired.)


10.  On the two pieces of matt board, apply a light coat of spray adhesive to one side only.  Holding the mat board with the 4" edge to top/bottom and 4.5" edge to sides, place the adhesive side down onto the craft paper in this location:  Approximately ¼" from bottom and sides of craft paper with approximately ½" in-between the two matt board pieces.



11.  Lightly spray adhesive over unpainted side of craft paper and the two pieces of matt board.  Fold in the bottom two corners.  Fold in the bottom and side edges.  Lightly spray adhesive onto the newly folded in edges.  Fold down the top portion of the craft paper to cover the mat board.  Trim off any excess craft paper.  Fold in half.  This is the book cover.

12.  Turn the bookcover over and decorate.  You can add decorative papers to the fold and a ribbon for the tie.  Use craft glue to apply papers and ribbon.

13.  Return to the illustrated watercolor page.  Fold it into thirds – first the left side in toward the right and then the right side in to the left.

14.  Apply craft glue to the blank right third of the page, smooth out the glue to the edge of the third with your finger.  Apply the glued surface to the inside right side of the bookcover.  Make sure that the folded edge of the page lines up with the outer edge of the cover.

Estimated time:  4+ hours for art project.  Does not include time for gathering supplies, cutting paper & mat board, or for cooking the recipe.

Have fun!
Susan


Wednesday, October 24, 2012

More new work . . .

I can't decide what to call this new piece.  "Overture in Blue" or "Birth of a Butterfly".  What do you think?  This piece is mixed media of gouache, collaged papers, paper paste, and acrylic.  24" x 36".  It is a combination of influence of tilework, jacquard and raw silk fabrics, and illustration.  I am hoping that is will be accepted in a call for art by Marshall Hospital via El Dorado Arts Council.

Wednesday, October 10, 2012

New Work

See my latest mixed media pieces of butterflies and bees.

Thursday, September 20, 2012

Studio Tours 2012


Susan Keale
invites you to see
her latest
mixed media paintings
&
handmade illustrated books

@ El Dorado County Artists Studio Tour

September 29th & 30th
and
October 6th & 7th

10:00am – 5:00pm

Location #9:
4251 Yellowbrick Rd,
Shingle Springs, CA

Thursday, September 13, 2012

Fall Workshops with Susan Keale



"Autumn Harvest" Illustrated Watercolor Journaling – Intro Level
Saturdays, Oct 20 and 27, 10:00 – 2:00
$100 held at Pence Gallery, Davis, CA
Illustrated Watercolor Journaling is great for travel, home, recipes, and more!  It's like journaling but with drawings and watercolors.  Focusing on the theme of "Autumn Harvest," students will learn to use ink pens and basic drawing, watercolor techniques of color mixing and textures, lettering and page layout, along with fun writing exercises to create lively illustrated journals.  The students will learn how to pack a portable set of art supplies that they can travel with to Halloween adventures, Thanksgiving travels, or simply to their kitchen table.  This is a beginning level course that can be taken more than once because each time there's something new.



"The Holidays!" Illustrated Watercolor Journaling – Intro Level
Saturday Nov. 3, 10:00-3:00 and Sunday Nov 4, 12:30 -  3:30
$100 held at University Art on Marconi in Sacramento, CA
Illustrated Watercolor Journaling is great for travel, home, recipes, and more!  It's like journaling but with drawings and watercolors.  Focusing on the theme of the holiday season, students will learn to use ink pens and basic drawing, watercolor techniques of color mixing and textures, lettering and page layout, along with fun writing exercises to create lively illustrated journals.  The students will learn how to pack a portable set of art supplies that they can travel with to capture winter's magic, on family vacations, or create personalized holiday gifts.  This is a beginning level course that can be taken more than once because each time there's something new.



Hand Made Illustrated Story Books for a Sweet Holiday Recipe
Sacramento Fine Arts Center, Carmichael, CA
November 10, 10am-2pm:   $50
Following in the storybook illustrator's tradition of Beatrix Potter and Tasha Tudor we will draw from a still life, paint our drawing, and write in the recipe.  From the illustrated recipe we will make a fold out book.  No experience necessary.  You will learn illustrating and watercolor techniques, how to decorate the book-cover with texture, and how to bind your book together.  This is a great activity for all and makes great gifts for family and friends.



~No art experience necessary.
~Contact Susan for supply list – materials not included.

530.228.8775       sbk317@yahoo.com

Thursday, September 6, 2012

Artist Archetype

The last several months I have been questioning and writing about what it is to be a bodhisattva artist.  But recently I have been wondering more simply what is it to be an artist?  Is it something a person is born to be?  And, in this world of consumerism, is it possible to be authentic and what is an authentic artist?

Jung identified certain personalities and behaviors that he classified in psychology as archetypes.  The Artist is one of them; Jung specifically categorized it as the Artist-Scientist archetype.   Some of the attributes associated with the Artist-Scientist are their ability to come up with novel solutions, being curious, idealistic, self-confident yet afraid of failing, and having childlike wonder with a logical mind.

A more contemporary view of archetypes comes from the Enneagram type system.  The Artist in this system is characterized as being sensitive, expressive, and spiritual.  Emotions are the vehicle by which the Artist understands themselves, others, and the world.  They do not fear painful emotions and this is often a way for them to develop compassion for the suffering of others and the world.  Nostalgic and idealistic by nature, the Artist seeks meaning, growth, and healing.

I relate very strongly to both descriptions I find of the archetypical Artist.  The listed attributes are characteristics I have had all my life.  Which leads me to believe I was born an artist.  I'm not sure what the karmic implications are to this other than I have the sensibilities that seem ideal for self awareness, thirst for beauty and graceful solutions, and a deep wish to heal my own suffering and be of benefit to others. 

As far as being authentic, I believe that lies in living one's personal truth.  Which in my case, is always changing and expanding, while strangely stays the same.  I think my quarry about authenticity must be an example of being afraid of failure.

Perhaps this is the search for meaning in a world that is inherently empty of meaning.  So Zen . . . there is nothing to attain, no one to be, no place to go.  Just accepting the masterpiece that we are at each given moment.   Curious. . . Art historically, have we moved to a new place that is no longer the iconoclasm of abstract expressionism?  Or the inertia of endless individual expression? What is the focus of art now?

What do you think?  Please share your thoughts in facebook comments or in the comment box below.

Best,
Susan

Thursday, August 30, 2012

I took Maryjo Koch's Botanical Illustration Workshop in Bonny Doon, CA.

 
Maryjo demonstrating painting a thistle.

 Me painting.

 
Beginning my thistle with a graphite watercolor pencil.

 
Adding gouache.

 
My finished thistle.

 
Final project was painting a stick covered in lichen.